Blog
The South Rises Again
We’ve had a lot of great challenges in this country, not least of which was the civil war which as we all know was fought over whether or not to sweeten iced tea. Ever since losing the war, the south has fervently promised to rise again and of course we northerners have always considered this to be complete drivel. But all of a sudden I’m not feeling so smug.
As an avid consumer of iced tea, (I would say 2-4 cups a day on average including a disturbing tendency to keep my cups from Panera and Chipotle so that I can refill at different locations later in the same day or sometimes on a completely different day,) I have noticed a troubling trend of late: more and more restaurants are defaulting to serving iced tea pre-sweetened or favoring teas that are sweeter than a nice, comfortingly bitter black tea.
This can only be the nefarious work of the southern states who invented the idea of sweet tea in the first place. New York, Chicago and Boston are no place to drink sweet tea. Plus it just doesn’t make any sense. Why pre-sweeten the tea? You can’t take sugar out of the tea but you can always put it in. It’s totally crazy and I for one will not have it!
Mark my words and look around you. Sweet tea is only the beginning.
- Written by: Seth Boustead
- On: May 14, 2015
News
-
‘Reciprocity Failure’ Score at the Sound of Silent Film Festival in Chicago
My score for the short film Reciprocity Failure by Ben Westlake will be performed by Access Contemporary Music at the Read More
-
‘Hardly Working’ Premiere by Black Oak Ensemble on March 29
A work I wrote inspired by Studs Terkel’s magnum opus Working will be premiered on March 29th at Symphony Space Read More
-
‘Dream Ritual’ to be Premiered at St. Mark’s Church in-the-Bowery on March 17
My brand spanking new piece Dream Ritual for string trio will be premiered on March 17 as part of Composers Read More
-
‘Bricks, Beds and Sheepheads’ Performance at Westbeth on March 2nd
I wrote a new score for the fascinating film by Imelda O’Reilly Bricks, Beds and Sheepheads and it will be Read More
-
‘Three Kings’ Performances on 1/13 and 1/14
My first performances of the year will be on January 13 and 14 when my new work Three Kings gets Read More
-
‘The Sorcerer’ Premiere on December 2nd and 3rd
Last month I finished a new piece commissioned from Random Access Music for flute, clarinet, violin, cello, electric guitar and Read More
Blog Archives
- July 2022
- June 2022
- April 2022
- March 2022
- January 2022
- October 2021
- September 2021
- August 2021
- February 2021
- November 2020
- October 2020
- June 2020
- April 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- March 2011
- August 2010
- May 2010
- October 2009
Leave a Reply